Vintage ReBelle Tumblr Here
Devon Moore Curtin

photography
by me



www.devonmoorecurtin.com  

Devon Moore Curtin on Flickr.
Wild Goat in  Donegal, Ireland Polaroid sx 70 with a flash bar. thrilling moment here for me. 

Devon Moore Curtin on Flickr.

Wild Goat in  Donegal, Ireland
Polaroid sx 70 with a flash bar. thrilling moment here for me. 

img125 on Flickr.

img125 on Flickr.

P1040195 on Flickr.Jay St. Station Brooklyn

P1040195 on Flickr.

Jay St. Station Brooklyn

newyorker:

Eleanor Callahan, Harry’s Muse

One of the greatest muses in photo history, Eleanor Callahan, died this  week, at the age of ninety-five. Harry Callahan photographed her for  more than fifty of the sixty-three years of their marriage. From  intimate nudes to double exposures of her ghostly silhouette projected  onto the woods, her image acted as an anchor in Callahan’s often  abstracted vision. From the beginning, Harry spoke of his work as an  extension of his life; in a grant proposal he wrote that he would use  the money “to photograph as I felt and desired; to regulate a pleasant  form of living; to get up in the morning—free, to feel the trees, the  grass, the water, sky or buildings, people—everything that affects us;  and to photograph that which I saw and have always felt.” We don’t know  if he got the grant, but his innumerable photos of Eleanor are a  testament to his success.

- On our Photo Booth blog, Suzanne Shaheen on Eleanor and Harry Callahan. For more of Harry’s photographs of Eleanor:    http://nyr.kr/xfF3S4

newyorker:

Eleanor Callahan, Harry’s Muse

One of the greatest muses in photo history, Eleanor Callahan, died this week, at the age of ninety-five. Harry Callahan photographed her for more than fifty of the sixty-three years of their marriage. From intimate nudes to double exposures of her ghostly silhouette projected onto the woods, her image acted as an anchor in Callahan’s often abstracted vision. From the beginning, Harry spoke of his work as an extension of his life; in a grant proposal he wrote that he would use the money “to photograph as I felt and desired; to regulate a pleasant form of living; to get up in the morning—free, to feel the trees, the grass, the water, sky or buildings, people—everything that affects us; and to photograph that which I saw and have always felt.” We don’t know if he got the grant, but his innumerable photos of Eleanor are a testament to his success.

- On our Photo Booth blog, Suzanne Shaheen on Eleanor and Harry Callahan. For more of Harry’s photographs of Eleanor: http://nyr.kr/xfF3S4

musicforchameleon:

Diane Arbus and Marvin Israel

musicforchameleon:

Diane Arbus and Marvin Israel

f-128:

MASTERS OF PHOTOGRAPHY - DIANE ARBUS (DOCUMENTARY - 1972)

HEAVY DEAVY SKULL LOVER: Sexus by Henry Miller

loveage-moondream:

Every day we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty….

newyorker:

Who is Marvin Israel?
Grouchy, antagonistic, and brilliant, according to those who knew him, Marvin Israel was a relatively unknown man of great cultural power, not least in the world of photography. As art director for Harper’s Bazaar in the sixties, Israel published the work of Richard Avedon and Walker Evans alongside that of less established photographers such as Bill Brandt and Lee Friedlander.
In a one-night event on December 15th, Aperture Foundation will be screening the documentary “Who Is Marvin Israel?” along with a slide show and talk by Diane Arbus. Click through for a selection of Israel’s magazine, book, and personal work: http://nyr.kr/rCZerA

newyorker:

Who is Marvin Israel?

Grouchy, antagonistic, and brilliant, according to those who knew him, Marvin Israel was a relatively unknown man of great cultural power, not least in the world of photography. As art director for Harper’s Bazaar in the sixties, Israel published the work of Richard Avedon and Walker Evans alongside that of less established photographers such as Bill Brandt and Lee Friedlander.

In a one-night event on December 15th, Aperture Foundation will be screening the documentary “Who Is Marvin Israel?” along with a slide show and talk by Diane Arbus. Click through for a selection of Israel’s magazine, book, and personal work: http://nyr.kr/rCZerA
square skyFINAL on Flickr.

square skyFINAL on Flickr.